Matching
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a. | call
sheet | e. | casting
director | b. | camera assistant | f. | caterers | c. | camera operator | g. | cinematographer | d. | casting | h. | co-producer |
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1.
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A list posted during production
to let people know when and where they should report each day.
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2.
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People who provide meals for
cast and crew on a movie set.
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3.
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The person who has the overall
responsibility of making sure all shots are properly lit and composed; also called the director of
photography or DP.
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4.
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A term used when more than one
person is equal as a producer for a movie.
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5.
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The person who actually sets up
and handles the film or video camera during production, doing such things as framing shots and
focusing.
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6.
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The person assigned to help the
director of photography.
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7.
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A person who gathers people to
try out for particular parts in a movie and who sometimes makes decisions about who will play what
roles.
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8.
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Deciding who will act the
various roles in a movie.
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a. | HDTV | e. | key grip | b. | head gaffer | f. | lead | c. | high-definition television | g. | lead person | d. | hyphenate | h. | lighting technician |
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9.
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An actor who has a major
part.
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10.
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A person who handles two jobs
for a movie such as a producer-director or a writer-director.
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11.
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The person who supervises the
set dressers.
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12.
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The person in charge of other
gaffers, electricians, or lighting technicians.
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13.
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A person who sets up and
connects lights on a set; also sometimes referred to as a gaffer or
an electrician.
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14.
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Abbreviation for
high-definition
television.
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15.
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The person who is the head of
the grips, directing them in what to carry or move.
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16.
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TV that scans more than 1,000
lines per frame and has an aspect ratio of 16:9; abbreviated HDTV.
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a. | 3-D computer
artist | e. | adaptation | b. | 24P | f. | ADR
editor | c. | accountant | g. | ADR mixer | d. | actor | h. | art director |
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17.
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A person who deals with the
look of sets and other visual aspects of a movie.
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18.
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A movie script that is based on
something else that has already been written such as a novel or a stage play.
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19.
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A person who records actors as
they are saying lines of dialogue that are being re-recorded because, for some reason, the dialogue
recorded during production cannot be used.
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20.
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A person who is on-screen in a
movie.
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21.
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A person who develops computer
images that have shadows and in other ways appear to be three-dimensional.
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22.
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A person who decides which
specific pieces of recorded dialogue need to be re-recorded.
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23.
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A person who keeps track of the
expenses and other financial materials related to a movie.
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24.
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A high-definition digital video
format that captures the image at 24 frames per second just as a 35mm film
does.
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a. | costume
designer | e. | director | b. | costume supervisor | f. | director of photography | c. | craft services | g. | DP | d. | crane | h. | editor |
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25.
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The person responsible for the
overall creative aspects of a motion picture.
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26.
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A large piece of equipment that
holds the camera and its operator and moves in many directions, including up and down; moving the
camera and its supporting device up or down.
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27.
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The person responsible for
making sure all shots of a movie are properly lit and composed; abbreviated DP; also
called cinematographer.
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28.
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A person who sews
costumes.
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29.
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The person who cuts together
the picture and principal dialogue of a movie.
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30.
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People who supply snack food on
a movie set.
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31.
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The person who oversees the
creation of costumes and wardrobe.
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32.
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Abbreviation
for director of
photography.
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a. | publicist | e. | rigging grip | b. | pyro technician | f. | rough cut | c. | re-recording mixer | g. | scene outline | d. | resolving unit | h. | scenic artist |
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33.
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A piece of equipment that uses
the sync pulses recorded on 1.4-inch audiotape to transfer the sound to magnetic stock so that it can
be edited in sync with the filmed picture.
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34.
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A person who positions lights
near the ceiling of a studio or other location.
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35.
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A list in numerical order of
all the scenes in a screenplay, with a barebones description of what occurs in each
scene.
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36.
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A licensed person who handles
explosions and other fire-related effects needed on a movie set.
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37.
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A person who makes drawings and
models of what a set will look like.
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38.
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A person who sees that a movie
is properly promoted and advertised.
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39.
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A loose assemblage of the
pictures and dialogue of what will eventually become the edited master of a
movie.
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40.
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A person who records the final
sound for a movie, mixing together dialogue, music, and sound effects.
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a. | product
placement | e. | production
designer | b. | production | f. | production sound mixer | c. | production assistant | g. | prop | d. | production coordinator | h. | property master |
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41.
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The person who records sound
during the shooting phase of moviemaking.
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42.
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A person who assists the unit
production manager with such chores as schedule breakdown.
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43.
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The person who is responsible
for acquiring props and making sure they are properly placed on the set.
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44.
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An item that is necessary to
the plot of a movie.
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45.
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The stage of moviemaking during
which all picture and principal sound are shot.
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46.
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A person who performs a variety
of general tasks during the production phase of moviemaking.
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47.
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The person whose job it is to
make sure the overall look of the film is consistent.
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48.
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Having material with brand
names showing in a movie in return for payment from the company that makes the
material.
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a. | matte
artist | e. | music
supervisor | b. | miniature designer | f. | negative | c. | model maker | g. | negative cutter | d. | music editor | h. | nonlinear |
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49.
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A person charged with figuring
out where music should be placed in a movie.
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50.
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Refers to video material that
can be edited without having to lay one shot after another; the end can be edited before the
beginning.
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51.
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A person who constructs smaller
versions of sets and other elements of a movie that can be used to plan for the overall
movie.
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52.
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A person who draws background
for movie frames that are largely computer generated.
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53.
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A photographic image that
reverses the light values; in color, every color is reproduced as its complement; in black and white,
dark areas are recorded as light and light areas are recorded as dark.
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54.
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The person who edits together
the original negative for a movie being released on film using numbers generated during nonlinear
editing.
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55.
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A person who develops a
small-sized version of something large that is shot on a set so that the smaller one can be used for
effects or other purposes.
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56.
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A person who finds nonoriginal
music for a movie and makes sure it is copyright cleared
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a. | special effects
coordinator | e. | still
photographer | b. | sprocket holes | f. | storyboard artist | c. | stand-by painter | g. | stunt coordinator | d. | stand-ins | h. | stunt people |
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57.
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A person on a movie set who
oversees the execution of stunt performances.
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58.
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A person available on a set to
touch up an area that may need some paint.
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59.
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The person who draws pictures
to show the main actions and elements of a movie.
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60.
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Holes at the edge of film used
to keep the film moving evenly through a camera or projector.
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61.
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People who undertake difficult
or dangerous actions for a movie so that the movie stars do not need to do
them.
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62.
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A person who is on a set to
oversee any particular effects that need to be performed.
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63.
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Someone who takes photos on the
set and otherwise that can later be used for publicity for the movie.
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64.
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People who replace principal
actors in a scene when equipment needs to be set up or changed.
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a. | electrician | e. | final cut | b. | executive producer | f. | flatbed | c. | extra | g. | Foley | d. | film recording technician | h. | Foley artist |
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65.
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An electrically powered film
editing machine that is in a horizontal configuration.
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66.
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A person who sets up lights for
a movie; also called a gaffer or lighting technician.
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67.
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A person who oversees the
transfer of movie material from a computer onto film.
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68.
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Recording sounds, such as
rustling dresses and footsteps, in sync with the picture; the room where this activity takes
place.
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69.
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A person who is part of the
atmosphere of a movie but does not have any distinguishable lines.
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70.
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The person who oversees a
number of different movie projects.
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71.
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The last edited version of a
film or videotape.
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72.
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The person who performs the
motions needed to create the sounds.
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a. | color
timer | e. | concept | b. | composer | f. | conductor | c. | compositing supervisor | g. | construction coordinator | d. | computer system
engineer | h. | costume
designer |
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73.
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A brief written account of the
basic idea for a story.
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74.
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A person who adjusts the color
of frames of film or video.
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75.
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The person who writes the music
that is part of the movie.
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76.
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The person who leads an
orchestra when the music for a movie is recorded.
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77.
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A person who keeps a computer
system operating.
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78.
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The person who oversees putting
various layers of pictures together in a computer.
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79.
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A person who plans and creates
what people will wear in a movie.
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80.
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A person who oversees the
actual construction of sets in a shop environment.
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a. | line
producer | e. | makeup
artist | b. | location manager | f. | matchmove | c. | location scout | g. | matchmove artist | d. | magnetic film | h. | matchmove supervisor |
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81.
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The person in charge of finding
places where a movie can be shot.
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82.
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A person who often works for a
location manager who actually goes to various sites to see if they would work for a particular
movie.
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83.
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The person who represents the
producer on the set and makes sure all is being accomplished on time and on
budget.
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84.
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A person who serves as a model
of human movement for something that is further developed in a computer.
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85.
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A sprocketed audiotape used in
film editing that had the same dimensions as the film and moved at the same
speed.
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86.
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A person who oversees the
process of using models to create movements that can be replicated and altered in a
computer.
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87.
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A person who applies cosmetics
to actors so that they look appropriate for the movie being shot.
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88.
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Scanning a human movement
pattern into a computer and then using that as a pattern for a computer- generated
character.
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a. | Foley
editor | e. | graphic
designer | b. | Foley mixer | f. | greensperson | c. | food stylist | g. | grip | d. | gaffer | h. | hair stylist |
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89.
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A person who makes actors'
hair look appropriate for the shoot.
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90.
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A person who sets up lights on
a set or directs others on how to position and plug in lights; also sometimes referred to as
an electrician or lighting technician.
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91.
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A person who decides where
Foley is needed in a movie.
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92.
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Someone who keeps plants or
other vegetation needed for a movie looking fresh and appropriate.
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93.
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A person who design titles and
other artwork for a movie, usually by using a computer.
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94.
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A person who makes sure that
food on the set of a movie looks appealing or in other ways appropriate for the needs of the
story.
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95.
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A person who does physical
labor on a shoot, such as carrying set pieces, pushing dollies, and handling
cables.
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96.
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A person who records what the
Foley walkers do in the Foley room.
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a. | unit production
manager | g. | visual
effects | b. | UPM | h. | visual effects
editor | c. | upright | i. | visual effects supervisor | d. | video assist | j. | workprint | e. | video assist operator | k. | writer | f. | videographer |
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97.
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Complicated movie scenes that
are created in a computer.
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98.
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A copy of the original film or
tape footage used for editing so that the original does not become damaged.
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99.
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An electrically powered film
editing machine in a vertical configuration.
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100.
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The person who breaks down a
script and handles much of the scheduling and detail work of planning and production; abbreviated
UPM.
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101.
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The person who creates the
script for a movie.
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102.
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Abbreviation
for unit production
manager.
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103.
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A tap off a film camera that
displays what is seen through the camera eyepiece on a video monitor.
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104.
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The person in video production
who has overall responsibility for making sure all shots are properly lit and
composed.
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105.
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A person who oversees several
people who are using computers to create elements of a movie.
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106.
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The person who handles the tap
from the film camera to a video monitor, sometimes recording the image onto
videotape.
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107.
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A person who creates
computerized elements needed for a movie.
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a. | Super
8 | e. | telecine
operator | b. | supporting role | f. | title designer | c. | tailor | g. | transportation captain | d. | take | h. | treatment |
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108.
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A person who cuts and fits
costumes and wardrobe.
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109.
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A person who uses computer
graphics to put together the opening and closing credits of a movie.
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110.
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A film format developed for
consumer use that has been largely replaced with video cameras.
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111.
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An indication of the number of
times a certain shot is recorded; the first recording would be take 1, the second would be take
2.
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112.
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Written prose that gives the
story line for a proposed screenplay.
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113.
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An actor who has a fair number
of lines in a movie but not as many as the lead actors.
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114.
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The person charged with making
sure people and things get to and from shooting locations.
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115.
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The person who operates the
equipment that transfers film to tape.
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a. | assistant
editor | e. | bit
players | b. | associate producer | f. | boom operator | c. | audiotape recorder | g. | call sheet | d. | best boy | h. | camera assistant |
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116.
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A list posted during production
to let people know when and where they should report each day.
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117.
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A person, originally a local
young man, who helps with lighting or carrying things on a movie set.
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118.
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A person who helps the producer
by researching funding possibilities for the movie or helping with paperwork.
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119.
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The person who positions the
boom microphone before and during production.
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120.
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Actors with five lines of
dialogue or fewer in a movie.
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121.
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A device that can be used to
record, store, and play back sound.
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122.
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The person assigned to help the
director of photography.
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123.
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A person who helps an editor by
editing portions of a movie, preparing edit decision lists, and handling other
duties.
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a. | score
mixer | e. | set
decorator | b. | script breakdown | f. | set dresser | c. | script breakdown sheets | g. | shop manager | d. | second unit | h. | software engineer |
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124.
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The forms on which script
breakdowns are written.
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125.
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A group of production people
who shoot scenes that do not involve the principal actors while those actors are involved in the main
production.
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126.
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A list of all essential
elements of each scene, such as whether it is interior or exterior, the time of day it is supposed to
take place, and the actors and props needed.
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127.
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Someone who writes and debugs
computer programs used for moviemaking applications.
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128.
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Someone who places items such
as pillows and vases on a movie stage or location.
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129.
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The person who records the
music for a movie.
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130.
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A person who oversees workers
who construct sets.
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131.
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A person who buys items to go
on a movie stage or location and decides how they will be arranged.
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a. | off-line
editor | e. | option | b. | on-line editor | f. | postproduction | c. | on-set editor | g. | preproduction | d. | opticals supervisor | h. | producer |
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132.
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The stage of moviemaking that
occurs after the shooting and that includes the editing and sound building.
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133.
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A person who makes a version of
a movie on inexpensive equipment so the decisions made can later be made on an on-line
system.
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134.
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The stage of moviemaking that
involves making the decisions, plans, and budget for production and
postproduction.
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135.
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When a producer pays a writer a
small amount of money to obtain the rights to a script for a certain period of time to try to arrange
for it to be made into a movie.
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136.
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The person who overseas
film-based visual effects that involve building layers on individual frames.
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137.
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A person who edits the final
version of material that is intended for distribution in video form.
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138.
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The person who is in overall
charge of a particular movie, especially the schedule and money.
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139.
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A person who starts putting
together scenes at the shooting location shortly after the scenes are shot.
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a. | sound
designer | e. | sound
mixer | b. | sound effects editor | f. | sound recordist | c. | sound effects mixer | g. | special assistant | d. | sound mix | h. | special effects |
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140.
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A person who undertakes
personal and professional chores for someone involved with a movie, such as a director or a
particular star.
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141.
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A person who develops the
overall approach for the audio elements of a movie.
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142.
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A person who records sound on
the set.
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143.
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Complicated actions, such as
fire or flying people, done on a set that cannot be performed with ordinary
materials.
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144.
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Someone who acquires and
compiles sound effects needed for the movie.
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145.
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A person who mixes or records
sound.
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146.
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Someone who records sound
effects.
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147.
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The final joining together in a
single recording of all the sound elements of a movie so that they relate properly and are at the
correct volume.
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